Film Review: The Expendables

Film Review: The Expendables

N.B. Film and TV reviews on this site are limited to identifying and analysing the degree of misandry and Feminist ideology they contain. They are not full reviews of plot, content and quality as are found elsewhere.

Man-Friendly?

 ★☆☆☆☆☆☆ 

The Expendables (2010) is touted as a homage to the good old days of action flicks. The days of Predator, First Blood, The Last Boy Scout and Terminator. Stallone had this to say about the violence in the film:

“”The ones that deserve it get it and they get it good and the ones that go after women really get it, you know what I mean? Really get it. People say: ‘Oh, isn’t that overkill?’ and I say ‘I’m not going to have a man having his way with a woman and wrecking her life and just shoot him with a bullet – it’s too civilised. He’s going to feel real pain’.”

You couldn’t make this stuff up.

This attitude from Stallone of chivalry and blindness, helps form a part of the Male Condition (a patchwork of liabilities in the male psyche that enables misandry to flourish). More than this, for someone who used to be such a fantastic film maker and writer, he has been feminised into inserting incongruous misandric plot-devices along with the rest of Hollywood.

Domestic Violence rears its misplaced head

The infection and corruption wrought by Feminism means that I wonder if Hollywood would even be capable of producing a film without Domestic Violence (DV) forming a part. Is it some part of the funding clause or demanded somewhere by the Writer’s Guild that all films must have at least one attack to the groin, one scene of DV against an innocent woman, and perhaps one scene of male sexual inadequacy?

If you want to produce an action film that can measure up to a great like Predator, you don’t do it by belittling manhood. It is counter productive. The Expendables has only one scene of DV but this is one too many. It simply didn’t fit and was an awkward, shoe-horned insertion of misandry that just didn’t belong.

The fact is that the Expendables didn’t need that scene and it took away from it’s stated aim  of being a “man’s film”. Stallone was weak to want it in there and I can only hope it was in some way forced in by some other interest. Then again. judging from his words above, it probably was his idea.

The DV scene itself is typical. What strikes me about it, is something I’ve seen elsewhere, most memorably in the series 24 (possibly season 2 or 3). Jack Bauer is shown to be in love with what I would describe as a worthless woman. She is indifferent to him and can’t decide between him and another man. Therefore, the love interest for the heroic and noble Bauer is portrayed as a woman who has no recognisable qualities that would justify his love and someone who does not even reciprocate his feelings.

In the Expendables, it’s Statham’s character who finds out the woman he is about to propose to has been unfaithful to him while he was away and is now shacked up with the other man. As I said, she is worthless, at least to him. Yet, when he discovers that the new man has bruised her face for some reason, he beats the crap out of him (and about 5 or 6 of his friends for good measure). Leaving aside the issue of misandry here regarding domestic violence (where the cause or reason for the violence is of no relevance), this is what I have seen quite frequently from Hollywood: decent examples of men fruitlessly pursuing quite worthless examples of women.

It’s strange and subtle almost like it’s an attempt to train men, condition them to accept that worthless women are the best a man can get by showing noble men hopelessly in love with women who’s characters are clearly not worth his time. It doesn’t make sense unless you look at it in the light of a serious attempt to sell the idea to men (and perhaps, re-assure American women), that low quality women – selfish, uncaring, unfaithful, uninspiring women – are worth a good man’s undying affection.

It seems to me, that this may be about the growing issue of American men seeking wives and girlfriends from abroad. American women have become so corrupted by feminism, that growing numbers of men are shunning them and looking elsewhere for women that still remember what it is to behave decently and who can love a man for what he is rather than what he can buy her. These women are typically Far-East Asian and have been raised in a environment vastly less toxic than the Feminised West.

Perhaps to counter this trend, in the same way that the star of The Truman Show is assailed from all sides with messages telling him that there’s nothing to see outside his little town, it seems to me that Hollywood is engaged in a similar PR campaign. A farcical attempt to sell typical Feminist American women as the epitome of a man’s dreams. The best a man could get or want.

Yeah, right. It simply doesn’t fly.

Statham’s actions might actually be valid if the woman was portrayed as being worth it. As it is, he did what many would regard as the chivalrous thing for a woman who is entirely unworthy of it. It is a rare thing to have a woman in a Hollywood film that is worthy of a man’s love. They are mostly presented as selfish, arrogant and proud women with no real interest in the leading man, yet he is shown to head-over-heels in love with her.

What could have been

One unofficial trailer for the film (see below) is described by CinemaBlend as an attempt to “challenge men’s manhood” and seeks to

rile up the men of America enough to get them off the couch and into the theatres to help support the biggest action movie of all time.


The idea is that chick-flicks have taken over Hollywood output and dominate new releases e.g. “Eat, Pray, Love”. Coming in a close second to films aimed squarely at women, are heavily feminised offerings like “Twilight”.

There is much truth in this, but I don’t see the answer as being a film like the Expendables, even though it could have been. Drop the needless DV scene; lose the groin strikes and threats; don’t make the whole thing be about some woman; and it’s right up there.

As it is, The Expendables counts as a near miss. It nearly made it, but shot itself in the foot.

Its principal flaw is not that it’s not a good action film, because it is in fact, a great action film. It does all the right things, mixing ultra-violence with blunt humour and a high-power cast.

No, its unforgivable flaw is that it’s a film for men that quietly stabs them in the back.

Still, it could have been a lot worse and we should be grateful that they couldn’t find time to fit in a case of child sexual abuse by some man. Or maybe that one’s set aside for the sequel.

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